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HIGHWAY GHOST - Nightmares LPHelsinkis HIGHWAY GHOST crawl out of the fog with "Nightmares", a debut LP that sounds like heartbreak recorded in a haunted basement. Its gloomy, dreamlike, and rough around the edges the kind of record that makes you want to wander through empty streets or frozen woods. They ride the line between garage punk snarl and post punk melancholy, like Dead Moon getting lost in a Wipers b side while the tape slowly warps. Theres grit, theres reverb, and

Sharrock may not have been successful financially (as though that might be a primary motivating goal for any true artist)

Track 2 Strange Eden cassette comp on Independent Woman

hard statement resonates with an urgency that cannot be ignored

Demolition points to the poem Mother Night by Jim Harrison

mixed with dark shades and a melancholic taste

snippets of interview segments

often uncharted territories of groove-oriented

Clearing is therefore this shuttle into the distance

at Melody Lanes Recording Studio and Last Stop Recording in Brooklyn while Josh Bonati at Bonati Mastering handled the mastering

their sole recording

Sally Anne’s debut solo album Thread establishes her as an unparalleled voice in contemporary folk

Closing with the song "Heavy Metal" (dedicated to the memory of former Women bandmate Chris Reimer) and adorned by Andrea Lukic's Journal of Smack artwork

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