Schiltz - Méthode Complete et Raisonnée de Serpent

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Schiltz - Méthode Complete et Raisonnée de SerpentMthode Complete et Raisonne de Serpent by Jean Baptiste Schiltz was written around 1836 during a period of relative popularity for the instrument. Over the years the serpent was largely superseded by the tuba and euphonium and its use became almost non existent. The instrument has had a resurgence of interest from the music world because of its unique sound and features, with recordings and scholarly research being done. Serpent aficionado Marc Lindy

Two études for each piece

“The unexpected harmonic progressions are a delight

My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world

The quartet

1 from 1889 is titled "

As an encore

Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses

Here is what Jeff Reynolds says about the Kosteck - Concert Music for Bass Trombone - unaccompanied:

each one coming back to the main melody

Alain Trudel

Bizet's Habanera from the Opera Carmen is one of the most recognized arias of the repertoire

I have transcribed the piano part as simply as possible

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